Federica directs her first play at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf.

Mauri and Sturno, directed by Baracco, take on the most Titanic of Shakespeare’s tragedies, a drama based on the love between a father and son and on madness.

Thirty years on from the first time this play was directed, Federico Tiezzi returns to the work of Dante, beginning with Purgatory, a canticle of friendship and art

A complex and unusual web of feelings and relations between a writer and a captive primate.

Antonio Latella directs an extraordinary cast in the masterpiece by Edward Albee

A play that examines the “sustainability” of theatre, extinction and the legacy that we leave the creatures inhabiting the planet.

Gabriele Lavia returns to Pirandello with The cap and bells, a bitter, dark, comical and cruel play.

The extraordinary banality and disarming normality of evil in the imaginary clash between Hannah Arendt and Adolf Eichmann.

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. 

The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.

Massimo Popolizio stages M, the novel that Antonio Scurati dedicated to the reconstruction of Mussolini’s rise to power.

The play compares the infinite enormity of the universe with the most restricted confines of our human dimension.

Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.