
The Future
FESTIVAL “PRESENTE INDICATIVO”
There is a storm coming, says the man at the gas station. I know, I say, play Sarah Connor again

Accademia Teatro alla Scala Ballet School
directed by Frédéric Olivieri
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The pupils of the Accademia Teatro alla Scala Ballet School perform masterpieces of classic and contemporary choreography

L’heure exquise
Variations on a theme by Samuel Beckett (Oh, les beaux jours)
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Alessandra Ferri celebrates her 40-year career with Winnie, the âgée ballerina imagined by Béjart who recalls her happiest moments

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Federica directs her first play at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf.

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Mauri and Sturno, directed by Baracco, take on the most Titanic of Shakespeare’s tragedies, a drama based on the love between a father and son and on madness.

Il Purgatorio
La notte lava la mente
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Thirty years on from the first time this play was directed, Federico Tiezzi returns to the work of Dante, beginning with Purgatory, a canticle of friendship and art

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A complex and unusual web of feelings and relations between a writer and a captive primate.

Edward Albee
Chi ha paura di Virginia Woolf?
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Antonio Latella directs an extraordinary cast in the masterpiece by Edward Albee

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A play that examines the “sustainability” of theatre, extinction and the legacy that we leave the creatures inhabiting the planet.

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Gabriele Lavia returns to Pirandello with The cap and bells, a bitter, dark, comical and cruel play.

Eichmann
Dove inizia la notte
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The extraordinary banality and disarming normality of evil in the imaginary clash between Hannah Arendt and Adolf Eichmann.

Marta Cuscunà
Il canto della caduta
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Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes.

Marta Cuscunà
La semplicità ingannata
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A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine.

Marta Cuscunà
È bello vivere liberi!
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A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy.

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The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.