A rehearsal room, actors, an audience. A director and a playwright examine the Legend of the Atrides, the tale of Iphigenia, the mystery of violence. 

The musical-theatrical comedy group Oblivion pays tribute to Giorgio Gaber with the show Far finta di essere G.

Ivano Fossati will be meeting the public to talk about Canzone e Teatro Canzone

An expression of the impassioned work of Luca Ronconi in transmitting theatrical knowledge between generations of artists.

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

Seventy years of the Piccolo Teatro and seventy years of Harlequin: a double anniversary for a theatrical tradition loved the world over.

A fascinating and enegmatic text, where “madness” leads to the deepest levels of reality.

From Iran, a re-reading of Büchner’s masterpiece by Reza Servati, a thirty year-old from Teheran with a passion for the classics.

The most prestigious theatrical academy in China tells the adventurous story of the Italian missionary who lived during the Ming dynasty. 

In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.  

Accompanied by Enrico Intra, a Prospero composer and live performer, a performance inspired by The Tempest by Shakespeare, directed by Massimo Navone.

When the brutality of mankind reaches depths of unspeakable ferocity, music and poetry restores the dignity of a population. 

An ironic and passionate work, a small portrait of a generation seeking its own identity to carry forward into the future.

A new programme for Aterballetto with choreographies by Italian and international writers which highlight the versatility of the company.

La Sirenetta (the Mermaid) provokes a reflection on love, the most difficult kind, that for ourselves and the body we live in.