In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming

Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.

Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.

The drama of the Italians forced into exile from Istria and Dalmatia told through the words and music of Simone Cristicchi

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”

Based on an episode from Pinocchio by Collodi, Roberto Latini’s new study on theatre and its farces.

A Western Christian and a Muslim migrant are victims of an earthquake. This is La Ruina’s unique take on immigration.

A unique setting, with the puppeteers visibly moving the characters. A creation that brings together scenes from the most-loved plays.

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine.