Massimo Popolizio stages M, the novel that Antonio Scurati dedicated to the reconstruction of Mussolini’s rise to power.

The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.

A theatrical project for an actress, 5 marionettes and a puppet, inspired by the biography of Ondina Peteani, First Partisan Courier in Italy. 

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

The extraordinary banality and disarming normality of evil in the imaginary clash between Hannah Arendt and Adolf Eichmann.

A play that examines the “sustainability” of theatre, extinction and the legacy that we leave the creatures inhabiting the planet.

Gabriele Lavia returns to Pirandello with The cap and bells, a bitter, dark, comical and cruel play.

Antonio Latella directs an extraordinary cast in the masterpiece by Edward Albee

A complex and unusual web of feelings and relations between a writer and a captive primate.

Thirty years on from the first time this play was directed, Federico Tiezzi returns to the work of Dante, beginning with Purgatory, a canticle of friendship and art

Mauri and Sturno, directed by Baracco, take on the most Titanic of Shakespeare’s tragedies, a drama based on the love between a father and son and on madness.

Federica directs her first play at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf.

Alessandra Ferri celebrates her 40-year career with Winnie, the âgée ballerina imagined by Béjart who recalls her happiest moments

The pupils of the Accademia Teatro alla Scala Ballet School perform masterpieces of classic and contemporary choreography