The Symphonic Orchestra of Milan fills the Studio Melato with a blend of Viennese classics, 20th century compositions and contemporary works

For the third time, Orsini takes on Ivan Karamazov, the most complex, controversial and tormented character ever created by Dostoevsky

Eduardo’s comedy on the confine between mental health and illness, to laugh, and to reflect on human misery and the ambiguity of language

Overload stages the American writer David Foster Wallace in the act of delivering a speech, which soon takes on the structure of a hypertext

Sotterraneo starts from the collective imagination to talk to Shakespeare

The show gathers historical anecdotes from different centuries and geographies, in a short circuit with the thought of Walter Benjamin

An elderly mother discovers an infallible way to regain the attention of her children who are too busy, absent and distracted; she pretends to be dead

A witch-hunt that, at its core, was a scathing condemnation of contemporary social psychosis; Filippo Dini takes on Arthur Miller

A concert-play set to the dizzying rhythm of rap to rediscover all the vitality, power and topicality of Rostand’s poem

From Homer to Leopardi, a classic tale to discuss war with younger audiences and learn to play with words

Forty years on from an epic match and twenty years on from a legendary play, Davide Enia returns to evoke the joy of that victory

Sara Cano creates a celebration of life that, despite everything, continues to flow

Alessandro Serra takes on Shakespeare's last play, a tribute to the power of theatre and a representation of worldly political strength

Via a QR code, spectators are able to listen to the work by Olivia Laing

Six characters in search of love; a blend of intrigue, misery and laughter in the comedy by the most important French playwright of the 18th century