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Maestro!

Teatro Studio Melato

Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.

©Guido Mencari

Il Maestro e Margherita

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Teatro Strehler

Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.

© Simone Di Luca

Magazzino 18

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Teatro Strehler

The drama of the Italians forced into exile from Istria and Dalmatia told through the words and music of Simone Cristicchi

©Giuseppe Distefano

maggio '43

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Teatro Grassi

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Giuseppe Distefano

maggio ‘43

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Chiostro Nina Vinchi

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Giuseppe Distefano

maggio '43

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Teatro Grassi

Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Giuseppe Di Stefano

maggio '43 – BASE

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Giuseppe Distefano

maggio '43 – Circolo Cerizza

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Giuseppe Distefano

maggio '43 – URBANA New Living

Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.

©Peter Hönnemann - Kampnagel

Mal – Embriaguez Divina

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”

©Masiar Pasquali

Mangiafoco

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Teatro Studio Melato

Based on an episode from Pinocchio by Collodi, Roberto Latini’s new study on theatre and its farces.

©Tommaso Le Pera

Mario e Saleh

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Teatro Grassi

A Western Christian and a Muslim migrant are victims of an earthquake. This is La Ruina’s unique take on immigration.

Marionette che passione!

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Chiostro Nina Vinchi

A unique setting, with the puppeteers visibly moving the characters. A creation that brings together scenes from the most-loved plays.

Marta Cuscunà

La semplicità ingannata

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Teatro Grassi

A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

©Daniele Borghello - Foto di Daniele Borghello

Marta Cuscunà

Il canto della caduta

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Teatro Grassi

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes.