La Sirenetta (the Mermaid) provokes a reflection on love, the most difficult kind, that for ourselves and the body we live in.

An ironic and passionate work, a small portrait of a generation seeking its own identity to carry forward into the future.

When the brutality of mankind reaches depths of unspeakable ferocity, music and poetry restores the dignity of a population. 

Accompanied by Enrico Intra, a Prospero composer and live performer, a performance inspired by The Tempest by Shakespeare, directed by Massimo Navone.

In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.  

The most prestigious theatrical academy in China tells the adventurous story of the Italian missionary who lived during the Ming dynasty. 

From Iran, a re-reading of Büchner’s masterpiece by Reza Servati, a thirty year-old from Teheran with a passion for the classics.

A fascinating and enegmatic text, where “madness” leads to the deepest levels of reality.

Seventy years of the Piccolo Teatro and seventy years of Harlequin: a double anniversary for a theatrical tradition loved the world over.

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

An expression of the impassioned work of Luca Ronconi in transmitting theatrical knowledge between generations of artists.

Ivano Fossati will be meeting the public to talk about Canzone e Teatro Canzone

The musical-theatrical comedy group Oblivion pays tribute to Giorgio Gaber with the show Far finta di essere G.

A rehearsal room, actors, an audience. A director and a playwright examine the Legend of the Atrides, the tale of Iphigenia, the mystery of violence. 

The journies of Mahama and Saif in search of their lost children concludes the Trilogia del Naufragio. Mourning creates two new refugees.