The lives of Italian women who immigrated to Scotland between 1850 and 1950, told by six actresses and an accordion player, widen to take the stories of all of the immigrants of the past and the present. One hundred years of female immigration, hundreds of voices, English mixed with dialect: a play to remind us that “we are all immigrants”.
-
Teatro Studio Melato
Inspired by interviews, accounts and documentation collected through more than thirty years of research, A Bench on the Road gives a voice to Italian women who immigrated to Scotland between 1850 and 1950, telling the story of one hundred years of immigration Real stories which touch us directly, voices which mix English with Italian dialects, tales of fear and integration, of solitude and hope for the future. Everything constructed through a sequence of “scenes” which underline fundamental events - the Great War, the rise of Fascism, the Second World War - and how these events were lived by Italian and Scottish women: daughters, mothers, grandmothers, each with their own experience, their own lives. A play of strong visual impact, accompanied by traditional Italian and Scottish music, in which the real words of the interviewees become lines from the script: Why did we leave our families? Because we were hungry, because there was no future for our children. You don’t leave if things aren’t so bad. No-one leaves if they are fine. The suitcase is weighed down with suffering.
Duration: 1 hour and 20 minutes with no interval
Inspired by interviews, accounts and documentation collected through more than thirty years of research, A Bench on the Road gives a voice to Italian women who immigrated to Scotland between 1850 and 1950, telling the story of one hundred years of immigration Real stories which touch us directly, voices which mix English with Italian dialects, tales of fear and integration, of solitude and hope for the future. Everything constructed through a sequence of “scenes” which underline fundamental events - the Great War, the rise of Fascism, the Second World War - and how these events were lived by Italian and Scottish women: daughters, mothers, grandmothers, each with their own experience, their own lives. A play of strong visual impact, accompanied by traditional Italian and Scottish music, in which the real words of the interviewees become lines from the script: Why did we leave our families? Because we were hungry, because there was no future for our children. You don’t leave if things aren’t so bad. No-one leaves if they are fine. The suitcase is weighed down with suffering.
Duration: 1 hour and 20 minutes with no interval
Meetings and insights
Credits
Piccolo Teatro Studio Melato
from 24 to 29 January 2017
A Bench on the Road
I am not Scottish, I am not Italian, I am a woman
written and directed by Laura Pasetti
with Anna Canfora, Helen Cuinn, Vanda De Luca, Sian Mannfield, Nicoletta Maragno, Pamela Reid
musician Caroline Hussey
vocal coach Natalie Toyne
lighting by Manuel Frenda
costumes by Simona Paci
director assistant Jen McGregor
A Piccolo Teatro di Milano – Teatro d’Europa, Charioteer Theatre co-production
in collaboration with Istituto Italiano di Cultura di Edimburgo
with the support of Creative Scotland
Information and bookings
Telephone service 02.42.41.48.89
From Monday to Saturday 9.45 a.m. – 6.45 p.m.
Sunday 10.00 a.m. – 5.00 p.m.
Teatro Strehler
From Monday to Saturday 9.45 a.m. to 6.45 p.m.
Sunday 1.00 p.m. to 6.30 p.m.
On the evening of the performance the sale of tickets will close one hour before the performance begins.
Groups and organisations
For information on tickets and subscriptions for groups and organisations, and afternoon performances for schools and educational shows, please contact the Servizio Promozione Pubblico e Proposte Culturali.
Tel. 02.72.333.216
e-mail: promozione.pubblico@piccoloteatromilano.it