Milite ignoto tells of the first moment of national unity. It is in the trenches of blood and mud that the “Italians” met and found themselves together for the first time. For this, Mario Perrotta has imagined all of the Italian dialect brought together and mixed into an invented language, a new language which lent the show an uknown sound which however touches the deepest viscera of our country.
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Teatro Studio Melato
Milite ignoto tells of the first, true moment of national unity. It is, in fact, in the trenches of blood and mud that the “Italians” met and found themselves together for the first time: Venetians and Sardinians, Piedmontese and Sicilians, Apulians and Lombards united by the fear and the disorientation of an event which was much larger than them.
A disorientation that was intensified by the confusion of dialects which echoed in those trenches. “For this, I imagined all of the Italian dialects brought together and mixed into an invented language - writes Mario Perrotta - a language in flesh and blood. The result was a new language which lent the show an unknown sound that nonetheless touches the deepest viscera of our country”.
“I chose this title, Milite ignoto (unknown soldier) - because the first world war was the last war where the soldiers still had some value, whereas from that war onwards soldiers have become, in fact, unknown, forgotten as human beings with a name and surname, a face and a voice”.
Duration: 1 hour e 15 minutes
Milite ignoto tells of the first, true moment of national unity. It is, in fact, in the trenches of blood and mud that the “Italians” met and found themselves together for the first time: Venetians and Sardinians, Piedmontese and Sicilians, Apulians and Lombards united by the fear and the disorientation of an event which was much larger than them.
A disorientation that was intensified by the confusion of dialects which echoed in those trenches. “For this, I imagined all of the Italian dialects brought together and mixed into an invented language - writes Mario Perrotta - a language in flesh and blood. The result was a new language which lent the show an unknown sound that nonetheless touches the deepest viscera of our country”.
“I chose this title, Milite ignoto (unknown soldier) - because the first world war was the last war where the soldiers still had some value, whereas from that war onwards soldiers have become, in fact, unknown, forgotten as human beings with a name and surname, a face and a voice”.
Duration: 1 hour e 15 minutes
Meetings and insights
Credits
Piccolo Teatro Studio Melato from 15 to 20 November 2016
Milite ignoto - quindicidiciotto
a show by Mario Perrotta
with Mario Perrotta
based on “Avanti sempre” by Nicola Maranesi
and on the project “La Grande Guerra, i diari raccontano”
curated by Pier Vittorio Buffa and Ncola Maranesi
for Gruppo Editoriale L’Espresso and Archivio Diaristico Nazionale
A Permàr, Archivio Diaristico Nazionale, dueL, La Piccionaia production
Information and bookings
Telephone service 02.42.41.48.89
From Monday to Saturday 9.45 a.m. – 6.45 p.m.
Sunday 10.00 a.m. – 5.00 p.m.
Teatro Strehler
From Monday to Saturday 9.45 a.m. to 6.45 p.m.
Sunday 1.00 p.m. to 6.30 p.m.
On the evening of the performance the sale of tickets will close one hour before the performance begins.
Groups and organisations
For information on tickets and subscriptions for groups and organisations, and afternoon performances for schools and educational shows, please contact the Servizio Promozione Pubblico e Proposte Culturali.
Tel.02.72.333.216
e-mail:promozione.pubblico@piccoloteatromilano.it