Born premature, hunchbacked, horrible: despite being disadvantaged at birth, Richard does not renounce being one of the protagonists of the War of the Roses, in which he takes the side of his brother Edward. The end of the conflict offers him no peace: now that he has fought and won alongside the legitimate king, why not take his place?
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Teatro Strehler
History provided William Shakespeare’s imagination with a Richard III who is horrible, deformed, monstrous, with a perverse mind and an unbridled ambition.
Thomas Ostermeier, director of the Berlin Schaubühne , presents his interpretation of the character of Richard: violent, animated by an irrepressible anger which he initially directs at the enemies of his brother Edward, king before him, and then - after the death of the latter - against all of those who obstruct his rise to power, Richard is also a splendid seducer and manipulator who uses the traumas and resentments of others with Machiavellian skill in order to make them instruments for his own ascent.
Defined by German critics as “sublime and sensational”, the play is the portrait of a ruling class which is devoured by the thirst for power and destined to be a witness to the triumph of a perverse dictator.
Duration: 2 hours and 30 minutes with interval
History provided William Shakespeare’s imagination with a Richard III who is horrible, deformed, monstrous, with a perverse mind and an unbridled ambition.
Thomas Ostermeier, director of the Berlin Schaubühne , presents his interpretation of the character of Richard: violent, animated by an irrepressible anger which he initially directs at the enemies of his brother Edward, king before him, and then - after the death of the latter - against all of those who obstruct his rise to power, Richard is also a splendid seducer and manipulator who uses the traumas and resentments of others with Machiavellian skill in order to make them instruments for his own ascent.
Defined by German critics as “sublime and sensational”, the play is the portrait of a ruling class which is devoured by the thirst for power and destined to be a witness to the triumph of a perverse dictator.
Duration: 2 hours and 30 minutes with interval
Credits
Piccolo Teatro Strehler
from 25 to 27 May 2017
Richard III
by William Shakespeare, translation by Marius von Mayenburg
directed by Thomas Ostermeier
sets by Jan Pappelbaum, costumes by Florence von Gerkan, lighting by Erich Schneider
music by Nils Ostendorf, video Sébastien Dupouey
dramaturgy by Florian Borchmeyer, puppets by Ingo Mewes, Karin Tiefensee
with Lars Eidinger, Moritz Gottwald, Eva Meckbach, Jenny König, Sebastian Schwarz, Robert Beyer, Thomas Bading, Christof Ertz, Laurenz Laufenberg, Thomas Witte (drums/percussion)
a Schaubühne Berlin production
A show in German with italian surtitles
Information and bookings
Telephone service 02.42.41.48.89
From Monday to Saturday 9.45 a.m. – 6.45 p.m.
Sunday 10.00 a.m. – 5.00 p.m.
Teatro Strehler
From Monday to Saturday 9.45 a.m. to 6.45 p.m.
Sunday 1.00 p.m. to 6.30 p.m.
On the evening of the performance the sale of tickets will close one hour before the performance begins.
Groups and organisations
For information on tickets and subscriptions for groups and organisations, and afternoon performances for schools and educational shows, please contact the Servizio Promozione Pubblico e Proposte Culturali.
Tel.02.72.333.216
e-mail:promozione.pubblico@piccoloteatromilano.it