The collection of letters written by Aldo Moro during his 55 days of imprisonment represent a spectre that still casts a a shadow on the stage of our history. Fabrizio Gifuni continues his biting "anti" biography of a nation, this time taking on the most scabrous and stark writings in Italian history.
-
Teatro Grassi
During his imprisonment, Aldo Moro speaks, remembers, writes, answers, questions, confesses, accuses and takes his leave. He pours words onto paper: he writes letters, addresses his relatives, his friends, his party colleagues and government institutions; he makes a brief will. Brought together, these writings form a long political, historical and personal work - the so-called memorial - taking his cue from the questions asked by his jailers.
The letters and the memorial are Moro’s last words, the mass of writings written during his 55 days of imprisonment. Those found, or rather, those that we have. A relentless flow of words that he immediately sought to stem, silence, mystify and deride. Moro is not Moro, it was said at the time.
The press almost unanimously bombarded public opinion by disowning his words, while Moro voiced his outrage at this further cruel form of torture.
Forty years on, the destiny of these writings has changed little. Very few have actually read them, many have chosen to forget.
Yet the bodies that we are unable to bury properly regularly return to make their voices heard. The letters and memorial are now two ghostly presences, and Moro’s body is the spectre that still occupies the stage of our shadowed history.
After having worked on the public and private writings of Carlo Emilio Gadda and Pier Paolo Pasolini, creating two harrowing and biting plays and creating a heart-rending "anti" biography of a nation, Fabrizio Gifuni, through a painful and relentless exercise in writing, takes on the most scabrous and stark writings in the history of Italy.
Duration: 1h and 40 minutes without inverval
During his imprisonment, Aldo Moro speaks, remembers, writes, answers, questions, confesses, accuses and takes his leave. He pours words onto paper: he writes letters, addresses his relatives, his friends, his party colleagues and government institutions; he makes a brief will. Brought together, these writings form a long political, historical and personal work - the so-called memorial - taking his cue from the questions asked by his jailers.
The letters and the memorial are Moro’s last words, the mass of writings written during his 55 days of imprisonment. Those found, or rather, those that we have. A relentless flow of words that he immediately sought to stem, silence, mystify and deride. Moro is not Moro, it was said at the time.
The press almost unanimously bombarded public opinion by disowning his words, while Moro voiced his outrage at this further cruel form of torture.
Forty years on, the destiny of these writings has changed little. Very few have actually read them, many have chosen to forget.
Yet the bodies that we are unable to bury properly regularly return to make their voices heard. The letters and memorial are now two ghostly presences, and Moro’s body is the spectre that still occupies the stage of our shadowed history.
After having worked on the public and private writings of Carlo Emilio Gadda and Pier Paolo Pasolini, creating two harrowing and biting plays and creating a heart-rending "anti" biography of a nation, Fabrizio Gifuni, through a painful and relentless exercise in writing, takes on the most scabrous and stark writings in the history of Italy.
Duration: 1h and 40 minutes without inverval
Meetings and insights
Credits
Piccolo Teatro Grassi
from 6 to 17 October 2020
Con il vostro irridente silenzio
A study of the letters from imprisonment and the memorial of Aldo Moro
created, written and performed by Fabrizio Gifuni
with thanks to Nicola Lagioia and the Turin International Book Fair, Christian Raimo for his collaboration, Francesco Maria Biscione and Miguel Gotor for the historical consultancy
Stalls: Full price € 33
Balcony: Full price € 26
Where and when to purchase tickets
It is possible to purchase tickets for programmed performances taking place from September to December and use vouchers as payment.
No subscriptions schemes are available for the aforementioned performances.
piccoloteatro.org
It is possible to purchase full-price and discounted tickets online. Tickets for all productions for the current season can be purchased up to one hour before the beginning of scheduled performances. Purchased tickets are sent by email at the moment of purchase and are available on the user’s personal profile. Tickets can be purchased with credit card.
Box office line +39 02.42.411.889
From Monday to Saturday from 9.45 a.m.to 6.45 p.m., Sunday from 10 a.m. to 5 p.m.
In the event of performances on bank holidays, the service is open from 10 a.m. to 5 p.m.
It is possible to purchase full-price or discounted tickets (for under -26 and over -65).
Purchased tickets are sent by email.
Access to the auditorium with reduced-price tickets is subject to verification by the theatre personnel.
Payment can be made by credit card (with the exception of American Express).
Piccolo Teatro Strehler box office
The Teatro Strehler box office (L. go Greppi, 1 – Metro M2 station Lanza) observes the following opening hours: from Monday to Saturday 9.45 a.m. to 6.45 p.m.; Sundays 1 p.m. to 6.30 p.m.; closed on Sundays and bank holidays.
It is possible to purchase full-price or discounted tickets (for under -26 and over -65). Access to the auditorium with reduced-price tickets is subject to verification by the theatre personnel.
For the final hour before the beginning of a performance, the box office is available exclusively for the production that is due to begin.
Teatro Grassi and Teatro Studio Melato box offices
The Teatro Grassi and Teatro Studio Melato box offices are open solely on the day of performances for one hour before the beginning of the programmed performance.
For artistic reasons, access to the auditorium is not permitted once the performance has started. You may take your seat during any intervals.
Purchased tickets cannot be cancelled or substituted or be used for dates or times which differ from those indicated.
Safety measures for access to performances
• In order to avoid queues and crowing, spectators are invited to arrive at the place of performance in good time.
• It is possible to access the auditorium by showing your ticket directly from your smartphone.
• Spectators with a body temperature equal to or higher than 37.5°C will not be allowed access to the performance and will have the right to a refund for their ticket. The personnel at the entrance will have dedicated thermal scanners for measuring temperature.
• All spectators must wear face masks (general regulations apply for children) and sanitise their hands via the dedicated dispensers. Spectators without masks can ask for one at the entrance.
• The seating in the auditorium respects current distancing regulations.
For information on tickets and the use of vouchers for organised groups, please contact the Office for Public Promotion and Cultural Proposals on +39 02 72 333 216 email: promozione.pubblico@piccoloteatromilano.it