The last day of Tramedutore is dedicated to podcasts, a format that is increasingly present in our cultural connections. In collaboration with Audible and storielibere.fm
A day dedicated to the discovery of the 1000+1 possibilities for information, cultural study and pure entertainment that podcasts offer listeners, users (be they housewives or commuters) and both budding and expert enthusiasts. A possibility to highlight the strong affinity between podcasts and the world of dramaturgy and the theatre, as well as the transmedia aspect that highlights the podcasts role as a new media form for the 2020s.
The podcast market has changed profoundly over recent years, growing in size and importance, and ever increasingly reaching the ears of Italian consumers (particularly among younger generations) and affecting their consumer habits.
Audible Inc., a company belonging to Amazon.com Inc., is a leader in the sector of quality spoken audio digital entertainment and information and offers more than 200,000 audio programmes worldwide supplied by the most important publishers, broadcasters, performers, magazines and newspapers.
storielibere.fm is a narration and entertainment project that aims to restore the central role of words. An audio podcast platform entrusted to militant narrators.
The “free stories” can be listened to at any time: while driving, during a workout, during manual work or while travelling.
THE PROGRAM
10 a.m. – Chiostro Nina Vinchi | Talk
Podcast e coscienza: nuove frontiere per l’informazione
with Andrea Colamedici, Paola Maugeri, Roberta Lippi, Pablo Trincia, Maura Gancitano, Alberto Nerazzini
11 a.m. – Piccolo Teatro Grassi | Performance
C’era una volta e c’è ancora live
with Melissa Panarello and Guido Bertolotti
12.10 p.m. – Chiostro Nina Vinchi | Talk
Divulgo ergo sum: il podcast al servizio della divulgazione culturale
Medea e Giasone
with Andrea Colamedici and Maura Gancitano
1.15 p.m. – Piccolo Teatro Grassi | Performance
Cara Marie Curie
with Gabriella Greison
2.30 p.m. – Chiostro Nina Vinchi | Talk
Il podcast al servizio della scienza
with Massimo Polidoro, Michele Cassetta, Gabriella Greison, Adrian Fartade
3.30 p.m. – Piccolo Teatro Grassi | Performance
In prima persona live
with Valerio Millefoglie
4.30 p.m. – Chiostro Nina Vinchi | Talk
Podcast: istruzioni per l’uso
with Pablo Trincia, Matteo Caccia, Matteo B. Bianchi, Rossana De Michele, Marco Azzani
5.30 p.m. – Piccolo Teatro Grassi | Performance
F***ing genius, dal podcast al libro
with Massimo Temporelli
6.30 p.m. – Chiostro Nina Vinchi | Talk
Oltre Il Mare: quando il podcast aiuta il sociale
with Raffaella Lebano and Pietro Bartolo
7.30 p.m. – Piccolo Teatro Grassi | Performance
Podcast: il teatro ad occhi chiusi
with Viola Graziosi and Graziano Piazza
9 p.m. – Piccolo Teatro Strehler
Le mani sul mondo
written by Roberto Saviano
directed by Sabrina Tinelli
with Roberto Saviano, Luca Micheli
music and sound design Luca Micheli
a Ludwig - officina di linguaggi contemporanei / mare culturale urbano production
a project by Tramedautore and Audible
Italian premiere
A day dedicated to the discovery of the 1000+1 possibilities for information, cultural study and pure entertainment that podcasts offer listeners, users (be they housewives or commuters) and both budding and expert enthusiasts. A possibility to highlight the strong affinity between podcasts and the world of dramaturgy and the theatre, as well as the transmedia aspect that highlights the podcasts role as a new media form for the 2020s.
The podcast market has changed profoundly over recent years, growing in size and importance, and ever increasingly reaching the ears of Italian consumers (particularly among younger generations) and affecting their consumer habits.
Audible Inc., a company belonging to Amazon.com Inc., is a leader in the sector of quality spoken audio digital entertainment and information and offers more than 200,000 audio programmes worldwide supplied by the most important publishers, broadcasters, performers, magazines and newspapers.
storielibere.fm is a narration and entertainment project that aims to restore the central role of words. An audio podcast platform entrusted to militant narrators.
The “free stories” can be listened to at any time: while driving, during a workout, during manual work or while travelling.
THE PROGRAM
10 a.m. – Chiostro Nina Vinchi | Talk
Podcast e coscienza: nuove frontiere per l’informazione
with Andrea Colamedici, Paola Maugeri, Roberta Lippi, Pablo Trincia, Maura Gancitano, Alberto Nerazzini
11 a.m. – Piccolo Teatro Grassi | Performance
C’era una volta e c’è ancora live
with Melissa Panarello and Guido Bertolotti
12.10 p.m. – Chiostro Nina Vinchi | Talk
Divulgo ergo sum: il podcast al servizio della divulgazione culturale
Medea e Giasone
with Andrea Colamedici and Maura Gancitano
1.15 p.m. – Piccolo Teatro Grassi | Performance
Cara Marie Curie
with Gabriella Greison
2.30 p.m. – Chiostro Nina Vinchi | Talk
Il podcast al servizio della scienza
with Massimo Polidoro, Michele Cassetta, Gabriella Greison, Adrian Fartade
3.30 p.m. – Piccolo Teatro Grassi | Performance
In prima persona live
with Valerio Millefoglie
4.30 p.m. – Chiostro Nina Vinchi | Talk
Podcast: istruzioni per l’uso
with Pablo Trincia, Matteo Caccia, Matteo B. Bianchi, Rossana De Michele, Marco Azzani
5.30 p.m. – Piccolo Teatro Grassi | Performance
F***ing genius, dal podcast al libro
with Massimo Temporelli
6.30 p.m. – Chiostro Nina Vinchi | Talk
Oltre Il Mare: quando il podcast aiuta il sociale
with Raffaella Lebano and Pietro Bartolo
7.30 p.m. – Piccolo Teatro Grassi | Performance
Podcast: il teatro ad occhi chiusi
with Viola Graziosi and Graziano Piazza
9 p.m. – Piccolo Teatro Strehler
Le mani sul mondo
written by Roberto Saviano
directed by Sabrina Tinelli
with Roberto Saviano, Luca Micheli
music and sound design Luca Micheli
a Ludwig - officina di linguaggi contemporanei / mare culturale urbano production
a project by Tramedautore and Audible
Italian premiere
Credits
Sunday 20 September 2020, from 10 a.m. until the evening
Maratona podcast
organised by Tramedautore in collaboration with Audible and storielibere.fm
TICKETS
Talk: single seat € 5 – daily ticket € 15
Performance: single seat € 10 – daily ticket € 25
daily ticket Talk + Performance € 30
Where and when to purchase tickets
Box office line +39 02.42.411.889
From Monday to Saturday from 9.45 a.m.to 6.45 p.m., Sunday from 10 a.m. to 5 p.m.
In the event of performances on bank holidays, the service is open from 10 a.m. to 5 p.m.
It is possible to purchase full-price or discounted tickets (for under -26 and over -65).
Purchased tickets are sent by email.
Access to the auditorium with reduced-price tickets is subject to verification by the theatre personnel.
Payment can be made by credit card (with the exception of American Express).
Piccolo Teatro Strehler box office
The Teatro Strehler box office (L. go Greppi, 1 – Metro M2 station Lanza) observe the following opening hours: from Monday to Saturday 9.45 a.m. to 6.45 p.m.; Sundays 1 p.m. to 6.30 p.m.; closed on Sundays and bank holidays.
It is possible to purchase full-price or discounted tickets (for under -26 and over -65). Access to the auditorium with reduced-price tickets is subject to verification by the theatre personnel.
For the final hour before the beginning of a performance, the box office is available exclusively for the production that is due to begin.
For artistic reasons, access to the auditorium is not permitted once the performance has started. You may take your seat during any intervals.
Purchased tickets cannot be cancelled or substituted or be used for dates or times which differ from those indicated.
Safety measures for access to performances
• In order to avoid queues and crowing, spectators are invited to arrive at the place of performance in good time.
• It is possible to access the auditorium by showing your ticket directly from your smartphone.
• Spectators with a body temperature equal to or higher than 37.5°C will not be allowed access to the performance and will have the right to a refund for their ticket. The personnel at the entrance will have dedicated thermal scanners for measuring temperature.
• All spectators must wear face masks (general regulations apply for children) and sanitise their hands via the dedicated dispensers. Spectators without masks can ask for one at the entrance.
• The seating in the auditorium respects current distancing regulations.