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A new production by the Carlo Colla & Figli Company dedicated to the most famous puppet of all time: Pinocchio.
 ©Masiar Pasquali
  ©Masiar Pasquali
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The third return to the Teatro Strehler, following its successful run in London, for this dark production directed by Declan Donnellan at the Piccolo.
 ©Marina Alessi
  ©Marina Alessi
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Renato Sarti stages the play in which Fo and Rame present an Italy facing up to a new way of living life as a couple.
 ©Alfredo Toriello
  ©Alfredo Toriello
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Claudio Tolcachir directs an entertaining and moving work for the Piccolo that examines the complexity of interpersonal relationships.
 ©Giuseppe Distefano
  ©Giuseppe Distefano
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Davide Enia tells of 1943m a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
 
      -
Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, in an adaptation by Emanuele Trevi.
 
      The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona).
 ©Javier Fergo
  ©Javier Fergo
      Macro Flores celebrates twenty years of career with the show Rayuela, a new production written and directed by Francisco López.
 
      The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona)
 ©François Passerini
  ©François Passerini
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Mime, dance, theatre, circus, figurative arts, but above all poetry: Là is the total theatre experience that has enchanted France and Spain.
 ©Maurizio Di Zio
  ©Maurizio Di Zio
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Ersan Mondtag, one of the most important German directors of the new generation, comes to the Piccolo for the first time with his latest work.
 ©Lorenzo Piano
  ©Lorenzo Piano
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A passing of the baton between two grande dames of the stage: Lella Costa accepts the invitation from Franca Valeri to perform La vedova Socrate.
 ©Masiar Pasquali
  ©Masiar Pasquali
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One hundred and twenty years on from the birth of Eduardo, Fausto Russo Alesi presents a “solitary” re-reading of a legendary comedy
 ©Mario Spada
  ©Mario Spada
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A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre characterised by few victories and many defeats.
 ©Attilio Marasco
  ©Attilio Marasco
      MITJAZZ ends with the project Piani Diversi, a meeting of dialects from the great pages of “written” music and jazz improvisation.