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©Thomas Aurin

The Future

FESTIVAL “PRESENTE INDICATIVO”

Teatro Strehler

There is a storm coming, says the man at the gas station. I know, I say, play Sarah Connor again

©Isabel Machado Rios

Los años

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

A profound reflection on the gap that often exists between what we expect of the future and what actually happens

©Nairí Aharonián

El bramido de Düsseldorf

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

A journey to Düsseldorf, a dying father, three unusual appointments, three deaths, self-denial, art, sexuality, and the search for God

©Maddalena Parise

Città sola

FESTIVAL “PRESENTE INDICATIVO”

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Chiostro Nina Vinchi

Via a QR code, spectators are able to listen to the work by Olivia Laing

©Alice Brazzit

BEST REGARDS

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

A letter written to someone who will never write back. D’Agostin dedicates a show to Nigel Charnock and his desperate form of dance

©Kurt Van der Elst

The Sheep Song

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

A modern parable that speaks of the desire for change and the fears that accompany it in human life

©Nairí Aharonián

Cuando pases sobre mi tumba

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

A writer who has decided to kill himself, a young necrophile. An original reflection by Blanco on death, passion and eroticism 

©Récréâtrales association

Façons d’aimer

FESTIVAL “PRESENTE INDICATIVO”

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With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words

©Masiar Pasquali

Carne blu

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf

©Vincent Bérenger

Deux amis

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

A couple of actors rehearsing Molière, an embarrassing SMS; Rambert presents an examination of the conventions of theatre and the rules of emotion

©Sophie Garcia

Wakatt

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

Dance seen as a means to study and question the present; Serge Aimé Coulibaly stages a form of humanity in transition

©Maya Legos

L’Aventure invisible

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

Through the exceptional journeys of three people forced to reinvent themselves, the performance is an invitation to reconsider the concept of identity

©Maya Legos

Wild Minds

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

Five characters, victims of “compulsive daydreaming disorder”, tell the audience of their obsessions

 

©Filippo Manzini

Nudità

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

A play that stages a representation of human fragility in the relationship between body and marionette

©Magali Dougados

Entre chien et loup

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

A play that studies the sources of social violence, transforming the action on stage into a human laboratory