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Francesco Alberici paints a vitriolic portrait of today’s world of employment, characterised by uncertainty, frenzy and brutal competitiveness
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A fun introduction to the first two Cantos of Dante’s Inferno to explore the poem without getting lost in the shadowed forest of its interpretation
Se dicessimo la verità
Ultimo capitolo
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The play-debate on legality through which, since 2011, Minoli and Giordano have met with audiences throughout the country
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Teatro Strehler - Scatola Magica
Plato’s cave in fable form, using shadow theatre to explain that one must go beyond appearances in order to find reality
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Theodoros Terzopoulos directs an exceptional cast for his personal reading of the mysterious masterpiece by Samuel Beckett
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Massimo Popolizio has chosen the work by Gorky that, in 1947, inaugurated Grassi and Strehler’s Piccolo
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With an apologue on hypocrisy and greed, Emma Dante ends her journey through Lo cunto de li cunti by Basile
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Massimiliano Civica, tre volte Premio Ubu, alle prese con il geniale testo di Samuel Beckett: «Harrowing, difficult, altruistic»
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The play by CETEC interweaves the life and poetry of Alda Merini with the stories of the company directed by Donatella Massimilla
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Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news
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The surreal, corrosive and overwhelming theatre of Rezza and Mastrella, Golden Lion winners at the Venice Biennial, comes to the Piccolo
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New passions and experiences await the actors in Prima, the second act in the triptych by Rambert
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Valerio Binasco directs Jon Fosse. He is joined on stage by Pamela Villoresi, Michele Di Mauro, Giordana Faggiano and Isabella Ferrari
Zio Vanja
Progetto Čechov, seconda tappa
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Regrets, unhappy loves and lives never completely lived; Leonardo Lidi continues his exploration of the theatre of Anton Chekhov
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Marco D'Agostin revisits Jérôme Bel involving a varied community of artists in a kaleidoscope of memories, dances, and relationships