Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

The only Theatre-Song show to be created following the death of Giorgio Gaber. Written by Sandro Luporini.

Milite ignoto, using an invented language which mixes all of the dialects together, tells of the nameless and faceless sacrifice of an entire country.

Minetti reflects on life, reduced to a theatre deprived of meaning in a dumbed-down society. The tragic epilogue is an extreme act of rebellion. 

An original work inspired by an actual news item that explores the subject of loneliness through flashes, encounters and scores that approach the concept of dance

Sonia Bergamasco reads Fernanda Wittgens, the woman who protected The Last Supper and other monuments in Milan from the devastation of the war.

An exceptional woman and her fight to save the Last Supper from the folly of war. Sonia Bergamasco reads Fernanda Wittgens.

Franco Branciaroli plays Jean Valjean in the theatrical staging of one of literature’s masterpieces: Les Miserables by Hugo. Directed by Franco Però.

A new incursion by Emma Dante into the universe of misery, abuse and squalor which women have always been condemned to fight against.

Filippo Dini and Arianna Scommegna as the writer Paul and his tormentor Annie in Misery, based on the novel by Stephen King.

A play performed in 45 countries, and translated into 24 different languages for 500 productions. A story which speaks about loyalty, feelings and family. 

Exhilarating, provocative, powerful, topical, epic, masterful. The return, exactly 50 years on from its debut, of Mistero Buffo by Fo and Rame.

The second appointment of the MIT Jazz Festival is with the Claudio Angeleri Ensembe in a concert dedicated to Italo Calvino.