The second appointment in the MitJazz Festival is with the Lydian Sound Orchestra conducted by Riccardo Brazzale. This is the world-premiere of Italian way.

The MitJazz Festival ends with the traditional Saint Ambrose concert: the Civica Jazz Band conducted by Enrico Intra with a brand-new programme.

Ten years after Magic People Show, a new chapter of the tragicomic theatrical tale of the sickly Italy of recent times comes to the stage.

The magic of Christmas in dance: The Nutcracker by Frédéric Olivieri with the pupils of the Ballet School of the Accademia Teatro alla Scala returns.

Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.

The play is dedicated to the figure of Mother Francesca Saverio Cabrini, Patron Saint of the migrants after a centenary from her death.

The Collas stage the Grimm’s tale, a story of initiation in which Hansel and Gretel have to overcome a multitude of difficulties while growing up.

The director Mario Martone directs, for the first time, a play by Eduardo De Filippo in a staging with a strong political and social character.

The audience comes into contact with the presence-absence of eight people whose stories are told through objects and audio-visual installations.

This is the man who decided to seek clarity by looking within himself, discovering a method of interpreting not only dreams, but the whole world. 

The hardship of the women left alone after the deportation of their men due to the Milan strikes, the resistance of those who said no to fascism.

Il primo appuntamento Jazz è dedicato alla "canzone jazzata", che spopolò in Italia tra gli anni Trenta e Cinquanta. Ospiti Franco Cerri e Freddy Colt

The eternal legend of Ulysses in a version for younger audiences. Flavio Albanese on stage with the shadows of Emanuele Luzzati.

The Sabat Mater of prayer is brought to modern times: Tarantino’s Mother is the tragic figure of a prostitute and single mother. 

Roberto Latini has chosen Carlo Goldoni’s theatrical manifesto for his first directing of a production for the Piccolo Teatro