The Collas stage the Grimm’s tale, a story of initiation in which Hansel and Gretel have to overcome a multitude of difficulties while growing up.

The return to the theatre of the legendary play by Robert Wilson, a re-reading of Hamlet by one of the greatest directors of the twentieth-century.

Antonio Latella takes on “a masterpiece which many believe they know and of which little, to tell the truth, is understood”.

Antonio Latella presents “his” Hamlet, the prince of failure and ambiguity. “Hamlet is neither black nor white, it walks the line”.

Shakespeare’s masterpiece Hamlet returns to the stage in this version by Latella, with Federica Rosellini playing the prince of Denmark

A fun introduction to the first two Cantos of Dante’s Inferno to explore the poem without getting lost in the shadowed forest of its interpretation

A blend of theatre and multimedia, Fabiana Iacozzilli paints a harrowing portrait of a family facing the drama of Alzheimer’s

The theme of the city is at the center of the 17th edition of the Festival that connects Milan and Turin in the name of music

What is true? What is false? Gabriele Russo stages Eduardo with a profound and necessary piece that questions the present

LaFil returns to the Piccolo with a new project dedicated to the exhibition Goya. La ribellione della ragione

A dramatic moment in the history of Milan brought back to life through the stage play by Renato Sarti, with the voice of Giulia Lazzarini

Marta Ciappina in the award-winning production by D’Agostin, a blend of dance and theatre, and a reflection on time and memory

Marta Ciappina in the award-winning production by D’Agostin, a blend of dance and theatre, and a reflection on time and memory

Massimiliano Civica, tre volte Premio Ubu, alle prese con il geniale testo di Samuel Beckett: «Harrowing, difficult, altruistic»