A satire on the luxury of being a woman, loosely based on Arcangela Tarabotti and the story of the Nuns of the Saint Clare in Udine. 

Marta Cuscunà goes back to an ancient epic story from the popular traditions of the Ladini: the myth of Fanes. 

A man confesses his own homosexuality to his late mother: in a South covered in snow, among the tombs, finally free to speak. 

The play is dedicated to the figure of Mother Francesca Saverio Cabrini, Patron Saint of the migrants after a centenary from her death.

The hardship of the women left alone after the deportation of their men due to the Milan strikes, the resistance of those who said no to fascism.

The return to the stage of the play by Renato Sarti which recalls the deportation of the workers of Sesto San Giovanni following the 1943-1945 strikes

Maurizio De Giovanni is reading some of Gaber and Luporini’s best-known monologues

Franco Branciaroli re-stages a play which is a cornerstone of Italian theatre: Luca Ronconi’s Medea, in which he performed in 1996. 

The puppets of Carlo Colla & Figli meet Molière: farce, irony and wit for an enjoyable comedy which pokes fun at human credulity.

Giorgio Gaber’s cues accompany the testimony of an intense life of militancy and belonging

100 years on from Mein Kampf, Massini stages Hitler’s delirium to ensure that conscience impedes history from repeating itself

For the third time, Orsini takes on Ivan Karamazov, the most complex, controversial and tormented character ever created by Dostoevsky

In this new show, Marcus Lindeen reflects on time, on memory and on the way in which humanity creates its own memory

Plato’s cave in fable form, using shadow theatre to explain that one must go beyond appearances in order to find reality