Stefano de Luca, together with Enrico Bonavera and the graduates of the Piccolo School of Theatre, stage a new edition of the show that, since July 1947, has accompanied the history and the life of the Milanese theatre. «A play that is steeped in memories – explains the director – and at the same time that joyful and necessary sense of oblivion that only youth can express».
The Piccolo’s Harlequin, a record show, the Italian production most seen worldwide, is reborn for the twelfth time in seventy-eight years on the stage of Via Rovello, in a new edition staged by Stefano de Luca, with Enrico Bonavera and a cast of graduate actors from the Piccolo Academy of Theatre.
In an era of highly technological productions, the masks of the Commedia dell’Arte, the candles, the props and the Eighteenth-century brocade express another way of creating theatre: «a simple game, as ancient as humankind – explains de Luca – a territory in which infancy and ancestral rites come together in the joy of masking, orchestrated by a script of gestures and movements studied by Giorgio Strehler to allow each individual character to contribute to collective harmony.»
As always a symbol of passage from generation to generation, it will be a show full of memories, with a thought to the artists, masters and technicians who have come and gone over the years, passing on the immortal art of a «marvellous anachronism or a timeless show, in which the language is a constant interweaving of Italian dialect, hybrids and contaminations, the expression of an Italy whose uniqueness speaks to the whole world.»
Duration: the play is currently in production
Contacts
The Piccolo’s Harlequin, a record show, the Italian production most seen worldwide, is reborn for the twelfth time in seventy-eight years on the stage of Via Rovello, in a new edition staged by Stefano de Luca, with Enrico Bonavera and a cast of graduate actors from the Piccolo Academy of Theatre.
In an era of highly technological productions, the masks of the Commedia dell’Arte, the candles, the props and the Eighteenth-century brocade express another way of creating theatre: «a simple game, as ancient as humankind – explains de Luca – a territory in which infancy and ancestral rites come together in the joy of masking, orchestrated by a script of gestures and movements studied by Giorgio Strehler to allow each individual character to contribute to collective harmony.»
As always a symbol of passage from generation to generation, it will be a show full of memories, with a thought to the artists, masters and technicians who have come and gone over the years, passing on the immortal art of a «marvellous anachronism or a timeless show, in which the language is a constant interweaving of Italian dialect, hybrids and contaminations, the expression of an Italy whose uniqueness speaks to the whole world.»
Duration: the play is currently in production
Credits
Arlecchino servitore di due padroni
NEW EDITION
by Carlo Goldoni
directed by Giorgio Strehler
staged by Stefano de Luca
sets Ezio Frigerio
costumes Franca Squarciapino
lighting Claudio De Pace
music Fiorenzo Carpi
masks by Amleto and Donato Sarti
with Enrico Bonavera
and with Andrea Coppone
and with Andrea Bezziccheri, Agnese Sofia Bonato, Bianca Castanini, Simone Pietro Causa, Giada Francesca Ciabini, Miruna Cuc, Silvia Di Cesare, Daniele Di Pietro, Marco Divsic, Pasquale Montemurro, Sofia Amber Redway, Edoardo Sabato, Simone Severini, Lorenzo Vio
a Piccolo Teatro di Milano – Teatro d’Europa production