2016-2017
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Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.
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The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.
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A closed theatre, a curtain that doesn’t rise. Master and apprentice in search of the character. Jouvet’s reflections on the nobility of the vocation of acting.
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Taking migration as a starting point, HUMAN makes a merciless exploration of the decisive boundary which separates the humane from the inhumane.
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Nothing ever has only one meaning: personal and collective enigmas intertwine in a theatrical game with the rhythm of a psychological thriller.
With Esilio Mariano Dammacco chooses the path of surreal dialogue in order to follow an “awareness of suffering” regarding the loss of a job.
A dialogue of love, desperate, ferocious, in search of the truth, which involves a prostitute and an ex-writer.
Based on the novel of the same name by Rosa Matteucci Lourdes is an irreverent pilgrimage with a delightful carneval of characters.
The true story of an imploded “alcoholic” family which is desperately searching for an “angel”.
Little Europa, a project by the company VicoQuartoMazzini, stages a lucid and cynical analysis of a contemporary, fragile and confused Europe.
Philipp Löhle overturns the idea of a “happy” Germany in a play which presents the members of a perfect family overwhelmed by the crisis.
A poetic and cruel story on childhood and adulthood, but above all on that crucial passage between two fundamental moments in life.
Loosely based on the novel by Camilleri, it interweaves episodes from the seventeenth century with modern-day situations.
The consequences of the Balkan war seen from the point of view of Dejan Dukovski, one of the most acclaimed European playwrights.
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Based on the novel by Jon Fosse: a woman relives the past in a conversation between herself, the younger version of herself and her husband.