2018-2019

Emma Dante stages the short story by Giambattista Basile, a splendid apologue on the risks of vanity in a world based on appearance.

The XXI edition of Orchestra senza Confini closes with a tribute to Antonello Salis, one of the great artistic figures of Italian jazz. 

Umberto Orsini and Lucia Lavia in the story of a man in a fight against himself, time and destiny, in search of impossible redemption.

The first appointment in the review “Milano per Gaber” is with Paolo Conte interviewed by the journalist and TV presenter Massimo Bernardini.

The “Milano per Gaber” review continues with Coma_Cose, aka Fausto Zanardelli and Francesca Mesiano, interviewed by Lorenzo Luporini.

Willie Peyote, interviewed by Lorenzo Luporini, will be telling the audience  about his relationship with Mr. G, one of his greatest masters.

The third appointment in the review “Milano per Gaber” is with Cesare Cremonini interviewed by the journalist and music critic Marinella Venegoni.

The only Theatre-Song show to be created following the death of Giorgio Gaber. Written by Sandro Luporini.

Massimiliano Finazzer Flory plays Leonardo da Vinci in an impossible interview to discover the multifaceted character of a genius.

The pupils of the Accademia Teatro alla Scala Ballet School return to the Piccolo: a not-to-be-missed date with the étoiles of the future.

Elio will be closing the series of discussions with great Italian singer-songwriters organised for the 2019 edition of Milano per Gaber.

In 1951, 200 women turned up for a single job. 77 of them were involved in an incredible accident.

An enquiry in the form of a play, an examination of the tragic nature of the human condition and a paean to the power of the theatre.

A sanguine, ironic and very gentle Imma Villa lends a voice and body to Enzo Moscato’s femminiello, a magical and fascinating creature without identity.

Shakespeare’s masterpiece, staged by Roberto Andò, a cinematographic and theatrical director, with Renato Carpentieri in the role of Prospero.