2020-2021

A passing of the baton between two grande dames of the stage: Lella Costa accepts the invitation from Franca Valeri to perform La vedova Socrate.

One hundred and twenty years on from the birth of Eduardo, Fausto Russo Alesi presents a “solitary” re-reading of a legendary comedy

A never-before-seen portrait of the artist. Eduardo and his Don Quixote-esque battles for the theatre characterised by few victories and many defeats.

MITJAZZ ends with the project Piani Diversi, a meeting of dialects from the great pages of “written” music and jazz improvisation.

Eros Pagni lends voice and body to one of the most emblematic figures in the Betrothed, the Unnamed.

Michele Serra leads the reader into his writing workshop with an ironic and sentimental theatrical tale.

The second concert for MITJAZZ pays tribute to Ambrosetti and Gruntz with the music from one of their most important recording projects, Tentets.

The loss of values in football is the central point in a ruthless, ironic and poetic English piece, which has been transposed to provincial Campania.

Fantastic stories and real episodes: Massini, with live music by Paolo Jannacci and Daniele Moretto, tells stories both great and small.

The 5th edition of MITJAZZ picks up on a number of concerts cancelled in the spring. The first is Il Jazz è Donna, a view of the Italian female jazz scene.

In a period characterised more by questions than answers, Paolo Rossi brings to the Piccolo a performance that calls for resistance and choice.

A disturbing reflection on the concept of freedom, when it leads to taking decisions far removed from our ethics and morals.

Fabrizio Gifuni continues his biting "anti" biography of a nation, this time taking on the letters and the memorial of Aldo Moro.

Caravansaray Selinunte San Siro is an artistic and social project that has been created in the community. 

Roberto Saviano concludes the Tramedautore Podcast Marathon with Le mani sul mondo, his first podcast produced in collaboration with Audible.it,