2021-2022

Dance seen as a means to study and question the present; Serge Aimé Coulibaly stages a form of humanity in transition

Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf

A couple of actors rehearsing Molière, an embarrassing SMS; Rambert presents an examination of the conventions of theatre and the rules of emotion

With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words

A modern parable that speaks of the desire for change and the fears that accompany it in human life

A writer who has decided to kill himself, a young necrophile. An original reflection by Blanco on death, passion and eroticism 

A letter written to someone who will never write back. D’Agostin dedicates a show to Nigel Charnock and his desperate form of dance

Via a QR code, spectators are able to listen to the work by Olivia Laing

A journey to Düsseldorf, a dying father, three unusual appointments, three deaths, self-denial, art, sexuality, and the search for God

A profound reflection on the gap that often exists between what we expect of the future and what actually happens

There is a storm coming, says the man at the gas station. I know, I say, play Sarah Connor again

The pupils of the Accademia Teatro alla Scala Ballet School perform masterpieces of classic and contemporary choreography

Alessandra Ferri celebrates her 40-year career with Winnie, the âgée ballerina imagined by Béjart who recalls her happiest moments

Federica directs her first play at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf.

Mauri and Sturno, directed by Baracco, take on the most Titanic of Shakespeare’s tragedies, a drama based on the love between a father and son and on madness.