2021-2022
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The new play directed by Milo Rau is a reflection on the past and the future, on life, death, solitude and community.
Extremófilo
FESTIVAL “PRESENTE INDICATIVO”
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A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease
The problem of pseudo-sciences and the concept of “truth” in science.
Façons d’aimer
FESTIVAL “PRESENTE INDICATIVO”
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With this powerful and disturbing work, Tarnagda brings to the stage a woman revolting against all forms of oppression. She fights with her most miraculous weapons: words
Falcone e Borsellino
L'eredità dei giusti
Thirty years on from the massacres in Capaci and Via D’Amelio, a story told through words and music re-evokes those tragic events
FLAMENCO: ESPACIO CREATIVO
Milano Flamenco Festival 2022
In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming
Gioele Dix. Gaber and Luporini’s unpublished
MILANO PER GABER
Gioele Dix presents some interesting unpublished pieces of Gaber and Luporini’s repertoire, both in prose and music
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Gabriele Lavia returns to Pirandello with The cap and bells, a bitter, dark, comical and cruel play.
Il Dio bambino
MILANO PER GABER
Fabio Troiano is the protagonist of a tragicomic and powerful contemporary text about the crisis of a middle-aged man
Il Purgatorio
La notte lava la mente
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Thirty years on from the first time this play was directed, Federico Tiezzi returns to the work of Dante, beginning with Purgatory, a canticle of friendship and art
Un format sonoro e performativo per Franco Quadri, a 10 anni dalla scomparsa del grande critico e editore teatrale milanese
Io
FESTIVAL “PRESENTE INDICATIVO”
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Teatro Strehler - Scatola Magica
A monologue that creates dialogue, an expression of the silent pain of the exile, flight, and sense of uprootedness of a woman, Io
Jacques Lecoq, viaggio in Italia
Anteprima del film doc
Anteprima del film doc Jacques Lecoq, viaggio in Italia di Felice Cappa
La Caduta di Troia. Dal Libro II dell’Eneide
Estate fuori scena
Castello Sforzesco, Cortile delle Armi
A veritable “score” that renders this work an opera, where the voice of Popolizio gains form and body
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Eros Pagni expresses the anguish of Manzoni’s Unnamed during the dizzying and tormented night in which Lucia comes to his castle.