2021-2022

The return of the play on legality through which Giulia Minoli and Emanuela Giordano have met with audiences throughout the country.

Sani is an expression used in greeting in the foothills of the Alps, in the Piave Valley, and lends meaning to a form of theatre that serves as a bridge.

The creative process of the choreographer is presented as a form of slow and casual accumulation of meaning that emerges during the work itself. 

Mauri and Sturno, directed by Baracco, take on the most Titanic of Shakespeare’s tragedies, a drama based on the love between a father and son and on madness.

Stefano Massini offers his very personal and authoritative tribute to Giorgio Gaber

Stefano Massini offers this very personal and authoritative tribute to Giorgio Gaber with the Orchestra Multietnica di Arezzo

Umberto Orsini and Franco Branciaroli, two “manipulators of words”, directed by Pier Luigi Pizzi, play to the death in a blend of silence, intent and intonation.

A new production by the Carlo Colla & Figli Company dedicated to the most famous puppet of all time: Pinocchio.

In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming

The last masterpiece by Thomas Bernhard and one of the greatest theatrical scandals in Austrian post-war history.

A play that stages a representation of human fragility in the relationship between body and marionette

Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona)

The 2020 edition of NEXT at the Piccolo Teatro with the Teatro del Simposio (Sogno americano Chapter1#ray) and servomutoTeatro (Non un’opera buona).

A different point of view of the victims at sea in the Mediterranean.