2021-2022
For the thirtieth edition, the Milano Musica Festival is looking to future scenarios through which to listen to the present.
A meeting with Sergio Staino
MILANO PER GABER
Giorgio Gaber’s cues accompany the testimony of an intense life of militancy and belonging
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Carlo Porta’s translation of Dante’s Inferno meets Schubert’s “Winterreise”, in celebration of the 700th anniversary of the death of Dante.
©“Presentation” conceived by Frédéric Olivieri, photo Annachiara Di Stefano
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The pupils of the Accademia Teatro alla Scala Ballet School perform masterpieces of classic and contemporary choreography
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The fine line between the normal and the pathological.
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The charm of the Colla puppets meets Giuseppe Verdi's opera and ancient Egypt. Aida is a timeless classic
©Luca Del Pia
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Seen not just as a feeling, but an actual frame of mind, love lies at the heart of the new play by Pippo Delbono.
©Rich Gilligan
What humanity is really doing in order to avoid destruction?
©Masiar Pasquali - Foto di Masiar Pasquali
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Duels, forbidden love, disguises, masks and a lunch served twice, all seasoned with acrobatics: Harlequin returns to the Piccolo!
©Tommaso Le Pera - Foto di Tommaso Le Pera
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Two great names from Italian theatre, Anna Maria Guarnieri and Rosalina Neri, are the adorable “killer aunts” in this famous comedy
©Kyle Tunney
Beckett’s Room
FESTIVAL “PRESENTE INDICATIVO”
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Beckett’s Room is the fascinating and innovative work by Dead Centre that, by drawing on our imaginations, offers us a glimpse of the French Resistance
©Alice Brazzit
BEST REGARDS
FESTIVAL “PRESENTE INDICATIVO”
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A letter written to someone who will never write back. D’Agostin dedicates a show to Nigel Charnock and his desperate form of dance
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The themes of data and the ethical implications of scientific innovation are examined in the new play by Laura Curino.
©Masiar Pasquali
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The winner of the 56th Riccione Theatre Award is the story of the first close encounter with an alien life-form
©Masiar Pasquali
Carne blu
FESTIVAL “PRESENTE INDICATIVO”
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Federica Rosellini makes her direct debut at the Piccolo with Carne blu - which she also wrote - drawing inspiration from Ariosto and Woolf