The journey through classic jazz styles, a theme which characterises the 18th edition of Jazz al Piccolo, visits "bebop" for this concert, with tunes by artists such as Dizzy Gillespie, Charlie Parker, and Gerry Mulligan. Enrico Intra and Luca Missiti, composers of a number of the arrangements, will conduct the Civica Jazz Band.
Teatro Studio Melato
The journey through classic jazz styles that characterises the 18th edition of Jazz al Piccolo focuses on an emblematic moment in the history of this musical genre of Afro-American origin.
Bebop is in fact a determining passage in the history of jazz, and affected the entire universe of jazz music.
Going beyond by-now obsolete stylistic categories, the concert will take on composers who have demonstrated, on various levels, how much Bebop truly developed an idea which has had various branches.
From the fundamental Parker-Gillespie-Powell, the pillars of the new style, to the more transversal Thelonious Monk, from the composer Tadd Dameron to Afro-Cuban jazz, from Mulligan of the Tuba Band to a very particular orchestration of an improvisation by Lennie Tristano, up to a European and Italian vision of bop phrasing in the piece by Enrico Intra, the programme offers an all-round view of this stylistic universe, naturally played with a contemporary sound and attitude, as is always the case with the reinterpretations of the Civica Jazz Band, which, on this occasion, will break up into trios, quintets and nonets, just like a true ensemble.
A concert which is also a musical reflection on how it is possible to construct a different and more complete image of Bebop.
The journey through classic jazz styles that characterises the 18th edition of Jazz al Piccolo focuses on an emblematic moment in the history of this musical genre of Afro-American origin.
Bebop is in fact a determining passage in the history of jazz, and affected the entire universe of jazz music.
Going beyond by-now obsolete stylistic categories, the concert will take on composers who have demonstrated, on various levels, how much Bebop truly developed an idea which has had various branches.
From the fundamental Parker-Gillespie-Powell, the pillars of the new style, to the more transversal Thelonious Monk, from the composer Tadd Dameron to Afro-Cuban jazz, from Mulligan of the Tuba Band to a very particular orchestration of an improvisation by Lennie Tristano, up to a European and Italian vision of bop phrasing in the piece by Enrico Intra, the programme offers an all-round view of this stylistic universe, naturally played with a contemporary sound and attitude, as is always the case with the reinterpretations of the Civica Jazz Band, which, on this occasion, will break up into trios, quintets and nonets, just like a true ensemble.
A concert which is also a musical reflection on how it is possible to construct a different and more complete image of Bebop.
Credits
Jazz al Piccolo – Orchestra Senza Confini
18th Edition
with the Civica Jazz Band
musical director Enrico Intra
artistic director Maurizio Franco
Piccolo Teatro Studio Melato
Monday 15 February 2016, 9 pm
Bebop
Il jazz del dopoguerra (post-war jazz)
Civica Jazz Band
solists Emilio Soana (trumpet), Roberto Rossi (trombone), Giulio Visibelli (saxaphone and flute), Mario Rusca (piano), Marco Vaggi (double bass), Tony Arco (drums)
and the students of the Civici Corsi di Jazz, Milan
conducted by Enrico Intra and Luca Missiti
programme
Dizzy Gillespie Manteca, Groovin' High (transcription and adaptation for big band: Luca Missiti)
Charlie Parker Anthropology (for quintet)
Tadd Dameron Good Bait; Our Delight (transcription and adaptation for big band: Luca Missiti)
Bud Powell Un Poco Loco (arranged for big band by Luca Missiti);Strictly Confidential (for trio)
Lennie Tristano C-minor complex (orchestration for big band by Enrico Intra)
Thelonious Monk Round Midnight (for quintet)
Gerry Mulligan Jeru (for nonet)
Enrico Intra Video Blues (arranged by Enrico Intra)
Introduction to the concert curated by Maurizio Franco