Jazz classics from New Orleans tradition and the era of Swing make up the programme of the concert by the Civica Jazz Band conducted by Paolo Tomelleri and the Bovisa New Orleans Jazz Band conducted by Luciano Invernizzi.
Teatro Strehler
An examination of jazz and American music from the first half of the last century, the common thread of the majority of events in this edition of Orchestra Senza Confini, is expanded on in this concert with its repertoires of New Orleans Jazz and Swing, offering an important view of two important moments in jazz history. Two styles which still make their mark on the scene, which have developed over time and which are now performed with a modern sound and a rhythmic and improvised approach which differs from that of the period of their origin.
For the occasion, two great experts of this musical world have been invited: Paolo Tomelleri and Luciano Invernizzi.
The first will direct the Civica Jazz Band in the execution of an articulated repertoire which offers a wide view of the music of the great Swing orchestras, both black and white, beginning with original arrangements of the era.
The second is a prominent figure in the history of Italian Dixieland and has been the conductor, since the beginning, of the Bovisa New Orleans Jazz Band, founded in 1958 and active ever since, for almost sixty years, in the Milanese (and not only) jazz scene. The journey through the complex and heterogeneous musical tradition of the city of the Mississippi delta will begin with spiritual music and blues to then take on the great classics of Morton, Oliver, and Ory, naturally remembering the city's brightest star: the great Louis Armstrong.
An examination of jazz and American music from the first half of the last century, the common thread of the majority of events in this edition of Orchestra Senza Confini, is expanded on in this concert with its repertoires of New Orleans Jazz and Swing, offering an important view of two important moments in jazz history. Two styles which still make their mark on the scene, which have developed over time and which are now performed with a modern sound and a rhythmic and improvised approach which differs from that of the period of their origin.
For the occasion, two great experts of this musical world have been invited: Paolo Tomelleri and Luciano Invernizzi.
The first will direct the Civica Jazz Band in the execution of an articulated repertoire which offers a wide view of the music of the great Swing orchestras, both black and white, beginning with original arrangements of the era.
The second is a prominent figure in the history of Italian Dixieland and has been the conductor, since the beginning, of the Bovisa New Orleans Jazz Band, founded in 1958 and active ever since, for almost sixty years, in the Milanese (and not only) jazz scene. The journey through the complex and heterogeneous musical tradition of the city of the Mississippi delta will begin with spiritual music and blues to then take on the great classics of Morton, Oliver, and Ory, naturally remembering the city's brightest star: the great Louis Armstrong.
Credits
Jazz al Piccolo – Orchestra Senza Confini
XVIII Edition
with the Civica Jazz Band
musical director Enrico Intra
artistic director Maurizio Franco
Piccolo Teatro Strehler
Monday 18 January 2016, 9 pm
Dixieland and Swing
Civica Jazz Band
Soloists Emilio Soana (trumpet), Roberto Rossi (trombone), Giulio Visibelli (saxophones and flutes), Marco Vaggi (double bass), Tony Arco (drums)
and the students of the Civici Corsi di Jazz di Milano
conductor and clarinet Paolo Tomelleri
Bovisa New Orleans Jazz Band
directed by Luciano Invernizzi
Giacomo Marson (trumpet), Emiliano Turazzi (clarinet), Luciano Invernizzi (trombone), Gigi Marson (piano), Fabio Turazzi (banjo), Terenzio Belluzzo (drums)
Playing jazz classics from New Orleans tradition and the era of Swing from the repertoires of: Jelly Roll Morton, King Oliver, Louis Armstrong, Kid Ory, Fletcher Henderson, Count Basie, Benny Goodman, Woody Herman, Jimmie Lunceford, Artie Shaw, Chick Webb, Glenn Miller
introduction to the concert by Maurizio Franco