An exceptional woman and her fight to save the Last Supper from the folly of war. Sonia Bergamasco reads Fernanda Wittgens.

Moni Ovadia returns to the Piccolo with a new show with the old wandering Jewish man: stories, song, music and reflections.

The young musicians from the Academy, directed by Peter Rundel, play the music from the legendary The Yellow Shark  by Frank Zappa.

The first production at the Piccolo to be directed by Donnellan, a master of Shakespearean directing. Middleton’s story of revenge and court plots.

Based on a true story, the tale of an old woman’s flight from Mosul with her four-year-old granddaughter.

The return to the theatre of the legendary play by Robert Wilson, a re-reading of Hamlet by one of the greatest directors of the twentieth-century.

Surreal tones of the theatre of the absurd in a play which lies between dream and reality, populated by unusual people.

Glauco Mauri and Roberto Sturno return to Beckett, a great poet who wrote of mankind’s struggles with life.

Ruccello’s work is the starting point for an original meta-theatrical account of the descent from solitude into madness.

The relationship between Margherita (known as Mara) Cagol and her father, from the mountains to the secrecy of the Red Brigades.

Duels, misunderstandings and twists in a comedy by Calderón de la Barca and performed by the Compañía Nacional de Teatro Clásico.

A European tourist in a North African city. An Arab girl watching the sea at sunset. Davide Carnevali tells the story of an encounter.

A return to the stage of the story of a group of young partisans in 1945 Milan. Based on the novel by Elio Vittorini, directed by Carmelo Rifici

Inspired by Chekhov, a work which isolates narcissistic love as the cornerstone of all the relationships and conflicts between the characters.

Andrea Renzi and Pierpaolo Sepe bring Robin Maugham’s “black comedy”, which was to become a cult film by Losey and Pinter, to the stage.