A profound reflection on the gap that often exists between what we expect of the future and what actually happens

Bergamasco-Fracassi-Ragonese: based on Balzac, dramaturgy by Massini, a journey through the labyrinth of femininity.

The Teatro Studio Melato sees the return of the concerts from the MITO festival, in an edition dedicated to light; light of reason, of the spirit, of rebirth...

On the 100th anniversary of the birth of Giovanni Testori, Orsini reads pages from Luchino, a rediscovered biography of Visconti

Tolja Djoković intertwines the stories of two women and two eras to examine the theme of the gaze on female bodies as they change

Under the guidance of Federico Tiezzi, Sandro Lombardi, Monica Bacelli and Andrea Rebaudengo follow in the footsteps of the reportage by Pier Paolo Pasolini

Gabriele Lavia and Federica Di Martino in the masterpiece by Eugene O’Neill, the brutal and painful portrait of a dysfunctional family

The Compagnia Marionettistica Carlo Colla & Figli celebrates the 400th anniversary of Shakespeare's death staging his Macbeth.

Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.

Carmelo Rifici directs a Macbeth with a Jungian twist, exploring the interiority of the actors and spectators.

In 2022, the Milan Flamenco Festival is celebrating the 15th year of programming

Through humor and emotion, Stefano de Luca tells about an artistic and human experience: the relation with Strehler, his "Maestro" at Piccolo School.

Funambulatory, pyrotechnical, grotesque, sublime, disturbing and magical, The Master and Margarita by Bulgakov comes to the theatre.