Directed by Antonio Latella, Sonia Bergamasco is Mirandolina in the piece that, according to the director, «marks the beginning of contemporary theatre»

Francesco Alberici paints a vitriolic portrait of today’s world of employment, characterised by uncertainty, frenzy and brutal competitiveness

After 8 years and 10 shows, with Naturae, the artistic journey of Armando Punzo together with the Compagnia della Fortezza comes to a definitive moment

With a blend of documentary, poetry and protest, Giuliana Musso tells of the concealment of violence within the family

A furious wife and devastated mother, Isabella Ragonese is the tragic queen of Mycenae in the latest play by Roberto Andò

As with the most perfect of Italian comedies, an exhilarating comedy of errors based on the novel by Andrea Camilleri

A mother, a son, a lake; Chekhov’s The Seagull encounters a new work by Liv Ferracchiati

Under the guidance of Andrea Baracco, Glauco Mauri takes on the tragic-comical and cruel theatre of Thomas Bernhard for the first time

Orsini and Branciaroli, the two “Sunshine Boys” of Italian theatre, in the play by Neil Simon and directed by Massimo Popolizio

1986: the attempt on Pinochet’s life. With a blend of eros and politics, Claudio Longhi and Lino Guanciale stage the fatal parable of desire.

Poetic, universal and timeless, SLAVA’S SNOWSHOW, the show full of dreams and fables, returns for the Christmas holidays

In the new production by Carlo Colla & Figli, the marionettes are performing the famous work by Charles Dickens

Celestini dedicates one of his stories to Francis, the saint who chose to serve the poor and who, in Greccio in 1223, created the nativity scene

The Symphonic Orchestra of Milan proposes a diptych of concerts dedicated to contemporary composers and avant-garde language

The dancers from the Accademia Teatro alla Scala Ballet School directed by Frédéric Olivieri in Tchaikovsky’s The Nutcracker