Enrico Bertolino dedicates a chapter of his Instant Theatre to Giorgio Gaber, beginning with a piece from the nineties, La sedia da spostare

A tribute to the Theatre-Song by Giorgio Gaber and Sandro Luporini: Giorgio Casale gives his voice and his body to the intelligent Mr. G's humour.

Presentation of the new album by Ivano Fossati, Le donne di ora, dedicated to Giorgio Gaber. Massimo Bernardi takes part in the meeting.

L’onorevole Graziano Delrio, grande fan di Giorgio Gaber, inaugura la rassegna dedicata al Signor G con un incontro sulla politica come partecipazione

Esponenti di varie generazioni del jazz italiano al femminile eseguiranno proprie composizioni con la Civica Jazz Band diretta da Enrico Intra.

<p>L’onorevole <strong>Graziano Delrio</strong>, grande fan di <strong>Giorgio Gaber</strong>, inaugura la rassegna dedicata al Signor G con un incontro sulla politica come partecipazione</p>

The adaptation of Shakespeare’s tragedy into an ironic and entertaining comedy on the themes of bullying and integration into a group.

Franco Branciaroli re-stages a play which is a cornerstone of Italian theatre: Luca Ronconi’s Medea, in which he performed in 1996. 

The Scatola Magica at the Teatro Strehler becomes Wonderland where, together with young audiences, Alice suddenly finds herself.

The Iliad is a poem that speaks of war and exalts the military virtues of its heroes. It is also the story of all of the people involved in a war.

Secondary school students are the protagonists in a journey that invites them to listen through the pages of the Promessi Sposi.

Stefano de Luca proposes an original and entertaining version of the two tales by the Brothers Grimm to the rhythm of swing, jazz and rock music.

The country where Moun’s parents live is in the grips of war. They entrust their only daughter to the sea, who reaches a beach and is adopted.

A concert made with "Amici di Musica/Realtà" pays tribute to Luigi Pestalozza, one of the most important historians of 20th century Italian music.

Roberto Latini has chosen Carlo Goldoni’s theatrical manifesto for his first directing of a production for the Piccolo Teatro