Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
Three days of MitJazzFestival: a new appointment will inaugurate the grand season of “Jazz al Piccolo - Orchestra Senza Confini” concerts.
Piccolo, Università Statale, the “Luca Ronconi” School of Theatre: together for the double anniversary of Altiero Spinelli and the Erasmus Programme.
<p>Piccolo, Università Statale, the “Luca Ronconi” School of Theatre: together for the double anniversary of Altiero Spinelli and the Erasmus Programme.</p>
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A text on the borderline between serious reflection and alcoholic delirium, a confine on which the game of human lives and their paradoxes is played.
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Milite ignoto, using an invented language which mixes all of the dialects together, tells of the nameless and faceless sacrifice of an entire country.
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A piece which, by exploring themes such as destiny, love, loyalty and forgiving, asks questions regarding identity and the choices which determine it.
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Vangelo: the evocativeness of Enzo Avitabile’s music, the memories, the images and the voices of one of the most ferocious wars in recent history.
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From the first letters of the word mamma, a journey through the work of Pasolini, around that generative force of words and men, of thought and art.
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Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.
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The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.
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A closed theatre, a curtain that doesn’t rise. Master and apprentice in search of the character. Jouvet’s reflections on the nobility of the vocation of acting.
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Taking migration as a starting point, HUMAN makes a merciless exploration of the decisive boundary which separates the humane from the inhumane.
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Nothing ever has only one meaning: personal and collective enigmas intertwine in a theatrical game with the rhythm of a psychological thriller.