Gabriele Lavia stages a comedy of errors written by Carlo Goldoni wrote and inspired by a true story

Epic, dense, visionary and disturbing; Mimmo Borrelli stages the ancient yet extremely modern saga of two families divided by hatred

Bulgakov comes to the theatre. Giorgio Sangati directs Sandro Lombardi and Paolo Pierobon in the stage version by Stefano Massini.

A writer who has decided to kill himself, a young necrophile. An original reflection by Blanco on death, passion and eroticism 

A witch-hunt that, at its core, was a scathing condemnation of contemporary social psychosis; Filippo Dini takes on Arthur Miller

Eden, Shirin and Mina: three women, three religions, three lives in the middle-eastern time-bomb. The story of a conciliation which may be impossible.

Umberto Orsini and Lucia Lavia in the story of a man in a fight against himself, time and destiny, in search of impossible redemption.

Animated by Marta Cuscunà, a flock of mechanical crows examines the possibility of a new form of harmony between nature and progress

Renato Sarti stages the play in which Fo and Rame present an Italy facing up to a new way of living life as a couple.

The scientists Bohr, his wife, and Heisenberg meet to clarify the mystery surrounding their meeting in Nazi-occupied Copenhagen.

As with the most perfect of Italian comedies, an exhilarating comedy of errors based on the novel by Andrea Camilleri

Fabrizio Gifuni pays tribute to Hamlet, in which the words of Shakespeare are interwoven with the powerful musical fresco by Shostakovich.