Stagione 2023/24
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A fun introduction to the first two Cantos of Dante’s Inferno to explore the poem without getting lost in the shadowed forest of its interpretation
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1986: the attempt on Pinochet’s life. With a blend of eros and politics, Claudio Longhi and Lino Guanciale stage the fatal parable of desire.
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The famous play by Andrée Ruth Shammah comes to the Piccolo, in celebration of Alessandro Manzoni and Giovanni Testori
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Orsini and Branciaroli, the two “Sunshine Boys” of Italian theatre, in the play by Neil Simon and directed by Massimo Popolizio
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For the centenary of Italo Calvino, and in the wake of the success seen last season, Il barone rampante returns, directed by Riccardo Frati
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In the new production by Carlo Colla & Figli, the marionettes are performing the famous work by Charles Dickens
Il fuoco era la cura
freely inspired by “Fahrenheit 451” by Ray Bradbury
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Bradbury’s novel is the cue for the new study by Sotterraneo on the possible totalitarian drift of our presen
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An original work inspired by an actual news item that explores the subject of loneliness through flashes, encounters and scores that approach the concept of dance
60 years on from Vajont, Marco Paolini returns to the stage with a classic play from his repertoire
Interno Bernhard
Minetti. Ritratto di un artista da vecchio
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Under the guidance of Andrea Baracco, Glauco Mauri takes on the tragic-comical and cruel theatre of Thomas Bernhard for the first time
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Marco D'Agostin revisits Jérôme Bel involving a varied community of artists in a kaleidoscope of memories, dances, and relationships
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As with the most perfect of Italian comedies, an exhilarating comedy of errors based on the novel by Andrea Camilleri
La Douleur
PRESENTE INDICATIVO | Milano Porta Europa
A tribute by the Piccolo, on the day it celebrates its foundation, to one of the directors that made it great: Patrice Chéreau
La Grande Mela
MITO SettembreMusica 2023
The theme of the city is at the center of the 17th edition of the Festival that connects Milan and Turin in the name of music
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Directed by Antonio Latella, Sonia Bergamasco is Mirandolina in the piece that, according to the director, «marks the beginning of contemporary theatre»