2016-2017

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

Seventy years of the Piccolo Teatro and seventy years of Harlequin: a double anniversary for a theatrical tradition loved the world over.

A fascinating and enegmatic text, where “madness” leads to the deepest levels of reality.

From Iran, a re-reading of Büchner’s masterpiece by Reza Servati, a thirty year-old from Teheran with a passion for the classics.

The most prestigious theatrical academy in China tells the adventurous story of the Italian missionary who lived during the Ming dynasty. 

In Ostermeier’s reading of Shakespeare’s work, the struggle for power has never been so terrible.  

Accompanied by Enrico Intra, a Prospero composer and live performer, a performance inspired by The Tempest by Shakespeare, directed by Massimo Navone.

When the brutality of mankind reaches depths of unspeakable ferocity, music and poetry restores the dignity of a population. 

An ironic and passionate work, a small portrait of a generation seeking its own identity to carry forward into the future.

La Sirenetta (the Mermaid) provokes a reflection on love, the most difficult kind, that for ourselves and the body we live in.

A new programme for Aterballetto with choreographies by Italian and international writers which highlight the versatility of the company.

The puppets of Carlo Colla & Figli meet Molière: farce, irony and wit for an enjoyable comedy which pokes fun at human credulity.

Reversible is a show anchored in the deep roots of flamenco and accompanied by a parterre of exceptional musicians and dancers.

Through her flamenco, Olga Pericet invites us on a journey in which the strength of her dance pulls us into the most hidden corners of the soul.

Rocio Molina, one of the most anticipated interpreters, returns to Milan with her reinvented tradition, a blend of essence and avant garde.