2019-2020
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Sonia Bergamasco reads two stories by Vasilij Grossman, “possibly the best voice for us in Milan today”.
Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
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Davide Enia tells of 1943, a crucially important year for Palermo and its people, discovering that those dark times tragically resemble our present.
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Based on an episode from Pinocchio by Collodi, Roberto Latini’s new study on theatre and its farces.
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A Western Christian and a Muslim migrant are victims of an earthquake. This is La Ruina’s unique take on immigration.
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A unique setting, with the puppeteers visibly moving the characters. A creation that brings together scenes from the most-loved plays.
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Prosegue la collaborazione tra Piccolo e Fondazione Gaber per la rassegna dedicata al Signor G, poeta della parola il cui pensiero è sempre attuale.
Per l'edizione 2020 di Milano per Gaber Gioele Dix propone un nuovo progetto dedicato ai cinquant'anni del Teatro Canzone.
Milano per Gaber si chiude con Maurizio De Giovanni che legge alcuni racconti e monologhi tratti dal repertorio in prosa di Gaber e Luporini.
Per la terza serata di Milano per Gaber, Neri Marcorè propone uno spettacolo che percorre il repertorio gaberiano tra canzoni e monologhi.
Il primo appuntamento di Milano per Gaber è con Eugenio Cesaro, Federico Cimini, Lucio Corsi e Loren per un personale Omaggio al Signor G.
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A new incursion by Emma Dante into the universe of misery, abuse and squalor which women have always been condemned to fight against.
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Exhilarating, provocative, powerful, topical, epic, masterful. The return, exactly 50 years on from its debut, of Mistero Buffo by Fo and Rame.