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© Giulio Mazzi

Fotofinish

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Teatro Strehler

The surreal, corrosive and overwhelming theatre of Rezza and Mastrella, Golden Lion winners at the Venice Biennial, comes to the Piccolo

©Luca Del Pia

Frankenstein

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Chiostro Nina Vinchi

Elio De Capitani narrates Frankenstein, the masterpiece of Gothic literature by Mary Shelley.

© Andrea Macchia

Frankenstein

PRESENTE INDICATIVO | Milano Porta Europa

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ASSAB ONE

A legend in which external and internal landscapes intertwine, a monstrous rebirth that creates a new imagination

©Manuela Giusto

I fratelli Karamazov

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Teatro Strehler

Glauco Mauri and Roberto Sturno stage the latest extraordinary novel by Dostoevsky, an eternal, ruthless and extreme story.

©Christophe Raynaud de Lage

FRATERNITÉ, Conte fantastique

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Teatro Strehler

In a dystopian future, half of the human race has been wiped out by an eclipse; fraternity is the only way to sooth the pain of loss

Fuggi la terra e l’onde

Estate fuori scena

Sea and adventure occupy the same metaphorical importance in our imaginations

© Masiar Pasquali

Il fuoco era la cura

freely inspired by “Fahrenheit 451” by Ray Bradbury

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Teatro Studio Melato

Bradbury’s novel is the cue for the new study by Sotterraneo on the possible totalitarian drift of our presen

Furore

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Teatro Strehler

Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, an adaptation by Emanuele Trevi.

Furore

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Teatro Strehler

Massimo Popolizio gives body and voice to John Steinbeck’s unforgettable masterpiece, The Grapes of Wrath, in an adaptation by Emanuele Trevi.

Future | Dialoghi e letture

Chiostro Nina Vinchi

An anthology that takes its cue from our home, Italy, and looks beyond the borders with extraordinary strength and emotion.

©Gianluca Pantaleo

Il gabbiano

Progetto Čechov, first stage

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Teatro Strehler

Unrequited love and lost illusions; Leonardo Lidi stages the first of Čechov’s great masterpieces

© Gianluca Pantaleo

Il gabbiano

Progetto Čechov, prima tappa

Teatro Strehler

Unrequited love and lost illusions; Leonardo Lidi stages the first of Čechov’s great masterpieces

©Masiar Pasquali