The Odyssey becomes a popular tale, a blend of myth and daily life, Ithaca and Salento, told from the point of view of Telemachus, Ulysses’ son.

Based on a true story, the tale of an old woman’s flight from Mosul with her four-year-old granddaughter.

Mariano Pensotti stages a striking play within a play that searches, in the present, for traces of past violence

A play that stages a representation of human fragility in the relationship between body and marionette

Through theatre, dance and music, Lina Sastri is the protagonist of the harrowing drama by García Lorca, directed by Lluís Pasqual

Ruccello’s work is the starting point for an original meta-theatrical account of the descent from solitude into madness.

Eros Pagni lends voice and body to one of the most emblematic figures in the Betrothed, the Unnamed.

Eros Pagni expresses the anguish of Manzoni’s Unnamed during the dizzying and tormented night in which Lucia comes to his castle.

A man lives alone in a deserted town. A deep and harrowing solitude, a blend of small and large quirks, and desires which blend with reality.

Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

Inspired by Chekhov, a work which isolates narcissistic love as the cornerstone of all the relationships and conflicts between the characters.