2016-2017

The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.

Una saga lunga 150 anni, dall'America schiavista al crollo della bolla finanziaria, nella magistrale regia di Ronconi dal testo di Massini.

Bergamasco-Fracassi-Ragonese: based on Balzac, dramaturgy by Massini, a journey through the labyrinth of femininity.

From the first letters of the word mamma, a journey through the work of Pasolini, around that generative force of words and men, of thought and art.

Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.

A man confesses his own homosexuality to his late mother: in a South covered in snow, among the tombs, finally free to speak. 

Rocio Molina, one of the most anticipated interpreters, returns to Milan with her reinvented tradition, a blend of essence and avant garde.

Through her flamenco, Olga Pericet invites us on a journey in which the strength of her dance pulls us into the most hidden corners of the soul.

Reversible is a show anchored in the deep roots of flamenco and accompanied by a parterre of exceptional musicians and dancers.

Ivano Fossati will be meeting the public to talk about Canzone e Teatro Canzone

The musical-theatrical comedy group Oblivion pays tribute to Giorgio Gaber with the show Far finta di essere G.

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

Milite ignoto, using an invented language which mixes all of the dialects together, tells of the nameless and faceless sacrifice of an entire country.

Minetti reflects on life, reduced to a theatre deprived of meaning in a dumbed-down society. The tragic epilogue is an extreme act of rebellion. 

A play performed in 45 countries, and translated into 24 different languages for 500 productions. A story which speaks about loyalty, feelings and family.