2016-2017

A play performed in 45 countries, and translated into 24 different languages for 500 productions. A story which speaks about loyalty, feelings and family. 

Minetti reflects on life, reduced to a theatre deprived of meaning in a dumbed-down society. The tragic epilogue is an extreme act of rebellion. 

Milite ignoto, using an invented language which mixes all of the dialects together, tells of the nameless and faceless sacrifice of an entire country.

Rossana Casale returns to the Piccolo at the end of the review “Milano per Gaber 2017” with Il Signor G e l’amore.

The musical-theatrical comedy group Oblivion pays tribute to Giorgio Gaber with the show Far finta di essere G.

Ivano Fossati will be meeting the public to talk about Canzone e Teatro Canzone

Reversible is a show anchored in the deep roots of flamenco and accompanied by a parterre of exceptional musicians and dancers.

Through her flamenco, Olga Pericet invites us on a journey in which the strength of her dance pulls us into the most hidden corners of the soul.

Rocio Molina, one of the most anticipated interpreters, returns to Milan with her reinvented tradition, a blend of essence and avant garde.

A man confesses his own homosexuality to his late mother: in a South covered in snow, among the tombs, finally free to speak. 

Macbeth is the tragedy of the evils of humankind, of the violation of moral and natural laws, of ambiguity, chaos, and the resulting destruction.

From the first letters of the word mamma, a journey through the work of Pasolini, around that generative force of words and men, of thought and art.

Bergamasco-Fracassi-Ragonese: based on Balzac, dramaturgy by Massini, a journey through the labyrinth of femininity.

Una saga lunga 150 anni, dall'America schiavista al crollo della bolla finanziaria, nella magistrale regia di Ronconi dal testo di Massini.

The “black” Goldoni returns to the stage, directed by Giorgio Sangati: life, intrigue, betting and love in a Venetian neighbourhood during Carnival.