Stagione 2024/25
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What is true? What is false? Gabriele Russo stages Eduardo with a profound and necessary piece that questions the present
La morte a Venezia
Libera interpretazione di un dialogo tra sguardi
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Drawing her cue from the work by Thomas Mann, Liv Ferracchiati uses words, dance and video to explore what binds beauty and the act of creation
La principessa di gelo
MITO SettembreMusica
The musical festival that brings Milan and Turin together celebrates Giacomo Puccini with a Turandot dedicated to a younger audience
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A wedding dress woven between two continents; a denouncement of violence and exploitation in the world of haute couture
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Gaia Saitta stages the novel by Elena Ferrante, the story of a woman and her journey of liberation and self-affirmation
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The marionettes of the Carlo Colla & Figli Company evoke the magic of Christmas, staging the famous ballet by Tchaikovsky
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Gabriele Lavia and Federica Di Martino in the masterpiece by Eugene O’Neill, the brutal and painful portrait of a dysfunctional family
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Following its extraordinary success in the 2023/24 season, Stefano Massini brings his show based on Freud back to the Piccolo
L’origine del mondo
Ritratto di un interno
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Concita De Gregorio, Carolina Rosi, Mariangeles Torres: three women, three voices, three different generations talking about depression
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The drama of the Italians forced into exile from Istria and Dalmatia told through the words and music of Simone Cristicchi
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100 years on from Mein Kampf, Massini stages Hitler’s delirium to ensure that conscience impedes history from repeating itself
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In this new show, Marcus Lindeen reflects on time, on memory and on the way in which humanity creates its own memory
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Evenings of shows and meetings to narrate Giorgio Gaber to enthusiasts and new generations
PARALLAX
Kornél Mundruczó / Proton Theatre
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Is identity a privilege or a burden? Three generations placed side by side to express the search for identity in contemporary Hungary
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Scenes from a marriage, thirty years on: Roberto Andò stages the script of Ingmar Bergman’s last film