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©Lisandro Rodriguez

Extremófilo

FESTIVAL “PRESENTE INDICATIVO”

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A work that dives into the consciousness of the head of a ministry cabinet, a drone pilot, and a scientist, exploring stories of love and unease

©Katerina Tzigotzidou

Nora

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

Terzopoulos takes on Ibsen’s classic in experimental form, staging the tragic comedy of our existence

©Johanna Weber

Io

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler - Scatola Magica

A monologue that creates dialogue, an expression of the silent pain of the exile, flight, and sense of uprootedness of a woman, Io

©Magali Dougados

Dans la mesure de l’impossible

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

Based on the first-hand experiences of a number of humanitarian workers, a play that tells of the fight for a better world

©Magda Hueckel

Still Life. A Chorus for Animals, People and all other Lives

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

Societies appear to be founded on the control and exploitation of lives that are considered superfluous; Still Life is an invitation to rethink the community

©Futura Tittaferrante

L’abisso

FESTIVAL “PRESENTE INDICATIVO”

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Davide Enia stages the contemporary tragedy of the landings on the coasts of the Mediterranean

©Kyle Tunney

Beckett’s Room

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Grassi

Beckett’s Room is the fascinating and innovative work by Dead Centre that, by drawing on our imaginations, offers us a glimpse of the French Resistance

©Mehdi Ashna

است (Is)

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Studio Melato

In a play of the spoken and unspoken (or the unspeakable), Parnia Shams represents the sensation of being controlled by an invisible power

©Peter Hönnemann - Kampnagel

Mal – Embriaguez Divina

FESTIVAL “PRESENTE INDICATIVO”

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Teatro Strehler

Montero Freitas reflects on the concept of evil in contemporary society, which sacrifices freedom for a sense of protection against a fearsome “Other”

©Luca Del Pia

Amore

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Teatro Strehler

Seen not just as a feeling, but an actual frame of mind, love lies at the heart of the new play by Pippo Delbono.

Maurizio De Giovanni reads Gaber

Milano per Gaber

Teatro Grassi

Maurizio De Giovanni is reading some of Gaber and Luporini’s best-known monologues

©Likeabee

Il Dio bambino

MILANO PER GABER

Teatro Grassi

Fabio Troiano is the protagonist of a tragicomic and powerful contemporary text about the crisis of a middle-aged man

©Laila Pozzo

Gioele Dix. Gaber and Luporini’s unpublished

MILANO PER GABER

Teatro Grassi

Gioele Dix presents some interesting unpublished pieces of Gaber and Luporini’s repertoire, both in prose and music

A meeting with Sergio Staino

MILANO PER GABER

Teatro Grassi

Giorgio Gaber’s cues accompany the testimony of an intense life of militancy and belonging

©Marco Borrelli

Quando sarò capace di amare

MILANO PER GABER

Teatro Grassi

Stefano Massini offers this very personal and authoritative tribute to Giorgio Gaber with the Orchestra Multietnica di Arezzo