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©Rudy Amisano

Scuola di Ballo Accademia Teatro alla Scala

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Teatro Strehler

The pupils of the Accademia Teatro alla Scala Ballet School return to the Piccolo: a not-to-be-missed date with the étoiles of the future.

©Franco Lannino

La scortecata

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Teatro Grassi

Emma Dante stages the short story by Giambattista Basile, a splendid apologue on the risks of vanity in a world based on appearance.

Lo Schiaccianoci

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Teatro Strehler

The dancers from the Accademia Teatro alla Scala Ballet School directed by Frédéric Olivieri in Tchaikovsky’s The Nutcracker

©Compagnia Marionettistica Carlo Colla & Figli

Lo schiaccianoci

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Teatro Grassi

The magic of Christmas returns thanks to the famous ballet by Tchaikovsky and the marionettes of the legendary Carlo Colla & Figli Company

©Alessia Santambrogio
©Federica Capo

Lo Schiaccianoci

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Teatro Strehler

The dreamlike fairy-tale Christmas ballet returns to the Piccolo with the pupils of the Accademia Teatro alla Scala Ballet School.

©Federica Capo

Lo Schiaccianoci

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Teatro Strehler

The magic of Christmas in dance: The Nutcracker by Frédéric Olivieri with the pupils of the Ballet School of the Accademia Teatro alla Scala returns.

© Archivio Grupporiani

Lo schiaccianoci

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Teatro Studio Melato

The marionettes of the Carlo Colla & Figli Company evoke the magic of Christmas, staging the famous ballet by Tchaikovsky

©Benedetta Folena - Foto di Benedetta Folena

Lo schiaccianoci

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Teatro Strehler

The enthusiasm and the talent of the Ballet School of the Accademia Teatro alla Scala takes on the Nutcracker, the Christmas tale par excellence.

©Luca Manfrini

Scene da Faust

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Teatro Grassi

Federico Tiezzi takes on the legend of Faust, a symbol of contemporary man’s crisis of conscience and soul.

©Andrea Falasconi

Scannasurice

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Teatro Grassi

A sanguine, ironic and very gentle Imma Villa lends a voice and body to Enzo Moscato’s femminiello, a magical and fascinating creature without identity.

Sketch by Gianni Carluccio

Sarabanda

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Teatro Strehler

Scenes from a marriage, thirty years on: Roberto Andò stages the script of Ingmar Bergman’s last film