Stagione 2024/25

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Z for Zorro, I for Identity, C for Convention, D for Dialogue: Latella reinterprets an archetype of the collective imagination

Zio Vanja
Progetto Čechov, seconda tappa
Regrets, unhappy loves and lives never completely lived; Leonardo Lidi continues his exploration of the theatre of Anton Chekhov

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Inspired by the poem by Hesiod, the new play by the FC Bergman collective is a reflection on the relationship between humanity and the Earth

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Wonder Woman by Antonio Latella: an intense fight against injustice through the true story of a gang rape

For NEXT the Caterpillar company brings a story about an aspiring writer who finds herself facing the hard reality of a newsroom

Un perdente di successo
based on the autobiography of Giorgio Albertazzi
Three superb actresses celebrate the life and the talent of an exceptional Master of Italian theatre: Giorgio Albertazzi

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A blend of presences and absences, humans and animals, the living and the dead, lacasadargilla encounters the ghosts and the fears that live within us

Tragùdia
Il canto di Edipo
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An eternal lesson on the human condition: Alessandro Serra stages Oedipus to once again shed light on the human race

Tanti Sordi
Polvere di Alberto
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A man, an actor, a legend: Elvira Frosini and Daniele Timpano, together with Lorenzo Pavolini, explore the monumental legacy of Alberto Sordi

Storia di un cinghiale
Qualcosa su Riccardo III
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The Uruguayan author and director Gabriel Calderón comes to the Piccolo for the first time with his reflection on power and theatre. With Francesco Montanari

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Liv Ferracchiati returns to talk about the challenges of emancipating oneself from the maternal figure and finding one’s one place in the world

Sogno di una notte di mezza estate
(commento continuo)
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Carmelo Rifici directs a cast of young actors in a contemporary re-reading of one of Shakespeare’s classics

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Pier Lorenzo Pisano provides a contemporary re-reading of the most well-known Western saga: the cycle of the Trojan War

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Valerio Binasco returns to Pirandello to examine the sense of creating theatre and the conflictual relationship between reality and fiction

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Pirandello’s classic comes to secondary schools to encourage teenagers to reflect on the falsehoods that they encounter in daily life, from social networks to fake news