Stagione 2024/25

Z for Zorro, I for Identity, C for Convention, D for Dialogue: Latella reinterprets an archetype of the collective imagination

Pier Lorenzo Pisano provides a contemporary re-reading of the most well-known Western saga: the cycle of the Trojan War

Scenes from a marriage, thirty years on: Roberto Andò stages the script of Ingmar Bergman’s last film

Directed by Leonardo Petrillo, Mariano Rigillo returns Ezra Pound to the absolute purity of his art and his poetry

Valerio Binasco returns to Pirandello to examine the sense of creating theatre and the conflictual relationship between reality and fiction

Gaia Saitta stages the novel by Elena Ferrante, the story of a woman and her journey of liberation and self-affirmation

The return of the ruthlessly revolutionary story by Pedro Lemebel, with Lino Guanciale and directed by Claudio Longhi

Is identity a privilege or a burden? Three generations placed side by side to express the search for identity in contemporary Hungary

The Uruguayan author and director Gabriel Calderón comes to the Piccolo for the first time with his reflection on power and theatre

Gabriele Lavia and Federica Di Martino in the masterpiece by Eugene O’Neill, the brutal and painful portrait of a dysfunctional family

A civil oration and a process of self-analysis: Davide Enia tells of the impact of Cosa Nostra on our personal and civil lives

A Chapter Two in the life and work of Neil Simon, a passionate interweaving of feelings with traces of autobiography

A blend of theatre and multimedia, Fabiana Iacozzilli paints a harrowing portrait of a family facing the drama of Alzheimer’s

Elena Ghiaurov plays the tragic queen who disrupts moral, family and social order with the chaos of her desires

Wonder Woman by Antonio Latella: an intense fight against injustice through the true story of a gang rape